Tired of Waiting for You – A soundtrack swirls in his head and the songs come back depending on how he feels. #MusicisLife #TedTocksCovers #TheKinks #RayDavies #JulienTemple #GaryLightbody #XTC #SuziQuatro #NancySinatra #LeeHazlewood #GreenDay #DwightYoakam #DaveDavies #RonnieSpector

When The Kinks were inducted into the Rock and Roll Hall of Fame Ray Davies was introduced as rock’s most “literate, witty and insightful songwriter.” Signs of this intelligence could be detected from their earliest hits. Today’s feature is ‘Tired of Waiting for You’ which exists as an example of Davies’ primary song writing expolits. In this case, circumstances resulted in the unveiling taking a little bit of time, but to the world of music, it was worth the wait.

You can call it teen angst if you wish. The essence of ‘Tired of Waiting for You’ was written by Ray Davies while he was a 15 year old student at Hornsey School of Art in London. He combined the classic rock and roll theme of boy meets girl and the frustration of unrequited love. As we all know, the direction of The Kinks self-titled debut album moved toward a raw, riff oriented style (see ‘You Really Got Me’ and ‘All Day and All of the Night’) so ‘Tired of Waiting for You’ was left on the shelf.

During the British Invasion, a band was only as good as their latest hit and the cycle of songs left both the buying public and the musicians churning out the creativity dizzy in an effort to keep up. Only the finest bands were able to succeed over time and clearly The Kinks reside among the finest this era had to offer. Right up there with The Beatles, The Rolling Stones and The Who if you want to list a Big Four. An argument could be made that The Kinks were the most authentic of this quartet of acts, but the price of being genuine for this band was literally, being banned in the United States for a period of time (see ‘Where Have All the Good Times Gone’).

After the success of ‘The Kinks’ the band’s producer Shel Talmy, was looking to Davies for a follow up. The prolific songwriter was stuck for ideas. He wanted to avoid being predictable. It was at this point that he recalled the premise of ‘Tired of Waiting for You’. Day one of the recording involved Ray Davies improvising the words while the rest of the band recorded the backing vocals. As legend has it, he recalled the words and jotted them down while commuting to the London studio by train. The initial recording of ‘Tired of Waiting’ was seen as a gentle, melodic piece and as a result not quite appropriate as a follow up release to the hits from the band’s debut. To coin a phrase, ‘you’ve got to give the people what they want’. It was here, at Talmy’s urging that the band opted to add the distinct guitar style of the riff master Dave Davies. Here is the guitarist’s recollection of the decision to blend his guitar work with the simple contemplation of the lyrics.

The recording went well but there was something missing and it was my raunchy guitar sound. Ray and I were worried that putting that heavy-sounding guitar on top of a ponderous song might ruin it. Luckily it enhanced the recording, giving it a more cutting, emotional edge. In my opinion ‘Tired of Waiting’ was the perfect pop record.”

Dave Davies

The track Shel Talmy was able to produce was a perfect example of what would become The Kinks trademark sound for decades to come. An intellectually and emotionally mature lyric with a melodic song structure, enhanced by the power of Dave Davies adaptable guitar work.

For The Kinks ‘Tired of Waiting for You’ allowed the band to expand. Here is Ray Davies’ assessment.

It was a change of style for us, we got a bit posher! Our material started to get a bit more melodic after that.”

Ray Davies

But, as always with The Kinks there is way more to the picture than initially meets the eye. There is a fascinating subtext to what appears to be simple ‘boy meets girl but can’t take the relationship to a deeper place’ theme. I give credit for the following revelation to Drew Wardle of medium.com/the riff who unveiled this interesting observation.

Wardle suggests that ‘Tired of Waiting for You’ was The Kinks foray into Ray Davies astute political and social observation. Wardle derives his accurate opinion from a fantastic documentary by filmmaker Julien Temple called ‘Imaginary Man’ which chronicles the song writing brilliance of Ray Davies.

In an interview with writer John Robb, Julien Temple made this observation.

That’s one end of the spectrum, and then on the other, there are these incredible social observation songs that just saw English society, you know, class and eccentricity. There are a lot of things about being English that no one has distilled in such clever and devastatingly honest ways as the Kinks. There were coded messages in all of them.

Julien Temple

Here is ‘Imaginary Man’ for your viewing pleasure. This is a phenomenal documentary and a wonderful glimpse into the man who is Ray Davies.

Temple, who had a professional relationship with Ray Davies suggest that at the very same time that Davies was modifying the lyrics he had written as a lovelorn teen, former British Prime Minister Winston Churchill was dealing with failing health. ‘Tired of Waiting for You’ was released three days after Churchill suffered a massive stroke, and the iconic political figure passed away less than two weeks later.

The timing of this series of circumstances has allowed people to surmise that ‘Tired of Waiting of Waiting for You’ was about Winston Churchill on some level.

The song was released in North America on this day in 1965. It soon hit #1in the U.K and South Africa, #3 in Canada and #6 in the United States. The success in the U.S. set their standard in that crucial market. It was matched 18 years later with the nostalgic hit ‘Come Dancing’.

Now it’s time to enjoy a series of cover versions. As is often the case with the vast list of hits by The Kinks one could trace renditions of Kinks classic ‘til the end of the day’, but I have narrowed this list down to seven. The first of which is actually a collaboration between Ray Davies and Gary Lightbody on Davies’ 2010 album appropriately called ‘See My Friends’. Davies’ offers several of his hits through the years in tandem with a solid lineup of major artists. This version of ‘Tired of Waiting for You’ allows for a perfect place to start.

For the true cover versions let’s head back to 1977 and an act that resided on the cutting edge of the new wave movement. Here is XTC. I share this because of their importance as a band from that era, but also because it shows a clear example of how important The Kinks are in terms of influence across genres.

Quite frequently, in Ted Tocks Covers Suzi Quatro’s name comes up. You can always count on her for a quality cover version. Just good old fashioned, straight forward rock and roll. Kind of like The Kinks. This is from 1978.

Another group on the cutting edge of greatness who recorded ‘Tired of Waiting for You’ was Green Day in 1994. The importance of The Kinks was visible and audible all over the world.

When you see the name Dwight Yoakam, you think country, but check out this version of The Kinks classic offered in a Vegas lounge act style. This is just one song from Yoakam’s 1996 album ‘Under the Covers’ where he displayed a love for British rock and roll. I like the fact he reinterpreted the song.

From one drastically modified version to another. Here is Nancy Sinatra with Lee Hazlewood presented in a conversational way.

Here is a guy named Dave doing a live version in 1997. What a gem.

We conclude with female vocal legend Ronnie Spector and her 2016 cover of ‘Tired of Waiting for You’ that appeared on her final solo release ‘English Heart’. It consists of 11 tracks that pay homage to a nice compliment of English artists through the decades.

From Ted Tocks Covers perspective, the are a collective of acts and songwriters who can make you listen and reflect on life. The works of The Kinks and the song writing of Ray Davies has a special place on this writer’s list.

The Kinks are like the National Health Service, they remind us of who we are.”

Julien Temple

This is a profound quote from Julien Temple. To this, I would add the fact that for Ray Davies it seems that his writing reminds him of who he is. Music acts as a perpetual soundtrack in his head. He welcomes the songs as his friends and then his friends become his songs. It is a symbiotic relationship.

I have my own soundtrack to my life and it’s going on as we speak.”

Ray Davies

More often than not the songs that unfold tells him more about himself. He is opening the door to his sub-conscience.

It wasn’t until we had out fifth or sixth hit that I thought other people understood what I was singing about ‘cause I thought all of my songs were really private…Some songs just come out of dreams. It’s almost like physics. Two things connect and an idea comes from the past and suddenly I know what I want to write. I’ve been carrying this song around since I was a teenager. But I had a picture in my head…”

Ray Davies

All the way back to his teen years he would just go out and walk. He existed as an observer and the people he saw come through in his songs. Every song represents a character and all tolled they add up to Ray Davies

What’s fantastic about his songs is that millions of other people feel the same way.”

Julien Temple

The finest tribute for Ray Davies is having those words sung back to him by an appreciative audience.

Imagine?

To Ray Davies, #MusicisLife.

Senses Working Overtime – The innocents can all sleep safely #MusicisLife #TedTocksCovers #XTC #ManfredMann #Spacehog #JoeJackson #MandyMoore #Marillion

There was nothing pretentious about XTC. They were never comfortable with being defined as post punk or new wave. They emerged from a glam-rock influence and were heavily inspired by ‘60s groups like the Beatles, The Monkees, The Kinks, Manfred Mann and the Small Faces. They just wanted to be a pop band that performed with an energy that made people take notice. Here is a summation by Andy Partridge, XTC’s vocalist and frontman.

I really didn’t like the phrase ‘punk’—it just seemed kind of demeaning. I didn’t like new wave either, because that was already the phrase used for French cinema of a certain period. [Our music was] blatantly just pop music. We were a new pop group. That’s all.”

Andy Partridge

In other words when you listened to XTC your senses were heightened. That is the perfect way to introduce today’s feature song ‘Senses Working Overtime’.

In many ways XTC was a product of their environment. The core of the band came from Swindon in southwest England, where Partridge concluded that the community was comprised entirely of people who lived with physical, mental or emotional defects. He was being tongue in cheek, of course. Just mildly self-deprecating in order to sell the band’s rambunctious style. XTC’s band name was determined after a series of other monikers that existed in their glam rock days. Once they discovered the raw power of the New York Dolls they opted for something more direct. They took a cue from a quote by Jimmy Durante who stated “that’s it! I’m in ecstasy,” upon discovering ‘the lost (or perfect complimentary) chord’. The band opted for the short form because it had a profound appearance in print. Short, and to the point. Just like their delivery. They had a swagger. By 1977, many bands of the era found themselves enthralled by the Sex Pistols, but Andy Partridge, bassist, Colin Moulding, keyboard player Barry Andrews and drummer Terry Chambers were not impressed. They felt they lacked substance. They strived for more.

That sort of spurred me on – watching this stuff that I thought was rather average.”

Andy Partridge

That desire to exceed expectations is exactly what caught the attention of famous BBC DJ John Peel who asked them to appear on his BBC Radio 1 show after seeing them live. This paved the way for offers from a handful of record labels. They ultimately opted to sign with Virgin Records.

Their first two albums were recorded at Abbey Road studios and following the release of their second album ‘Go 2’, Barry Andrews left the band due to creative differences. This opened the door for their Swindon mate Dave Gregory to join. Ironically, Gregory was considered for a spot in the band in their early days, but he was deemed to be too good. In a 1990 interview, Andy Partridge recalled his days as a teenager in Swindon, watching a talented kid performing around town, adapting a unique blend of sounds that combined Jimi Hendrix and Lonnie Donegan.

 Sort of acid-skiffle. I thought, ‘Ah, one day I’ll play guitar!’ But I didn’t think I would be in the same band as this kid on the stage.”[

Andy Partridge

It was this incarnation of XTC that took off. In 1979 they released ‘Drums and Wires’ which offered a more guitar-based sound. The interplay between Partridge and Gregory was immediate and it came through on the band’s first major hit ‘Making Plans for Nigel’; a song written by Colin Moulding. This will take you back. So fresh, even today.

The ultimate recording was a true band collaboration. They took Moulding’s lyrics and initial vision and adapted his creation to fit the band’s unique sound. Here is a great quote from Colin Moulding

I didn’t know where it came from. That phrase popped into my head, and one line followed another. Before I knew it, I’d written three parts of the song, and the rest of it just kind of fell in line probably a day or two later. … When I was about 16, my father wanted me to stay on in school. But by that time, I really didn’t want to do anything other than music, I think. … So, in a way, is it autobiographical? Well, a little bit. I knew somebody called Nigel at school. But I think that, when you write songs, it’s a lot of things all wrapped up, like in your dreams. Your dreams are kind of bits and pieces of all the walks of life you’ve been in.”

Colin Moulding

‘Drums and Wires’ was produced by Steve Lillywhite who was a rising star in his own right. He would go on to be a highly sought-after producer, associated with such acts as Simple Minds, the Psychedelic Furs, Talking Heads, Dave Matthews Band, U2 and the Rolling Stones just to name a few.

XTC followed ‘Drums and Wires’ with ‘Black Sea’ which was also produced by Lillywhite. It received critical acclaim and represented a solid commercial response through songs like ‘Generals and Majors’.

All of the positive attention was a double-edged sword for XTC. They were enjoying the benefits of their commercial success, and they resided on the precipice of stardom. Things progressed when XTC was invited to be the opening act for the Police on their world tour for ‘Ghost in the Machine’ in 1981. Unfortunately, at this very same time Andy Partridge’s mental health was beginning to decline. He requested that the band discontinue touring in order to simply focus on recording. Virgin Records were adamantly opposed to this idea, and it existed as a major wedge between the band and the label, but it allowed Partridge to maintain a semblance of stability. The result was the release of their 1982 album, ‘English Settlement’. The lead single was today’s feature ‘Senses Working Overtime’ written by Andy Partridge where he offers his perception on everything that was going on around him.

Hey, hey, the clouds are away
There’s straw for the donkeys
And the innocents can all sleep safely
All sleep safely

My, my, sun is pie
There’s fodder for the cannons
And the guilty ones can all sleep safely
All sleep safely

And all the world is football-shaped
It’s just for me to kick in space
And I can see, hear, smell, touch, taste
And I’ve got one, two, three, four, five

Senses working overtime
Trying to take this all in
I’ve got one, two, three, four, five

Senses working overtime
Trying to taste the difference ‘tween a lemon and a lime
Pain and pleasure and the church bells softly chime

Hey hey, night fights day
There’s food for the thinkers
And the innocents can all live slowly
All live slowly

My, my, the sky will cry
Jewels for the thirsty
And the guilty one’s can all die slowly
All die slowly

And all the world is biscuit-shaped
It’s just for me to feed my face
And I can see, hear, smell, touch, taste
And I’ve got one, two, three, four, five

Senses working overtime
Trying to take this all in
I’ve got one, two, three, four, five

Senses working overtime
Trying to taste the difference ‘tween a lemon and a lime
Pain and pleasure and the church bells softly chime

And birds might fall from black skies (woo-woo)
And bullies might give you black eyes (woo-woo)
But to me they’re very, very beautiful
(England’s glory)
Beautiful
(A striking beauty)

And all the world is football-shaped
It’s just for me to kick in space
And I could see, hear, smell, touch, taste
And I’ve got one, two, three, four, five

Senses working overtime
Trying to take this all in
I’ve got one, two, three, four, five

Senses working overtime
Trying to tell the difference ‘tween the goods and grime
Turds and treasure and there’s one, two, three, four, five

Senses working overtime
Trying to take this all in
I’ve got one, two, three, four, five

Senses working overtime
Trying to taste the difference ‘tween a lemon and a lime
Pain and pleasure and the church bells softly chime”

Andy Partridge

In addition to this song being moderately therapeutic for Andy Partridge, it was an homage to one of his earliest musical influences. Here is Manfred Mann and their 1964 song ‘5-4-3-2-1’.

Despite the promise of XTC’s first four releases and the enormous popularity they were generating through their live presentation, the internal issues the band were facing became too much to overcome. The decision by Partridge to stop touring was only the beginning. Corruption was discovered within the band management and Virgin Records responded to the band’s non-touring disclaimer by refusing to promote them in any way. XTC was essentially on an island and their world became shrouded in litigation for the better part of two decades.

[Because of our] bad record deal and a corrupt manager, life was a bit of a nightmare … When I said we don’t want to play live anymore, they [Virgin] completely stopped [promoting us] … We ran on negative equity for 20 years.”

Andy Partridge

An unfortunate consequence of this situation was the dissolution of the musical partnership of the band members. While each of them remain musically active, it is shocking to note that during their 20 year association with Virgin Records they never saw a penny of publishing royalties for their library of music. One more reason why Virgin Records founder, Richard Branson can disappear into a black hole.

Let’s move on to some covers of ‘Senses Working Overtime’. Through the years XTC has enjoyed a devout following as a result of their innovative sound and approach to their craft. Several artists have paid tribute.

This is Space Hog from the 1995 tribute album called ‘A Testimonial Dinner: The Songs of XTC’.

One of XTC’s biggest fans was Joe Jackson. Here is a scaled down piano version. Jackson is a very important artist of the ‘80s era. His talent would not be out of place in any period of music.

‘Senses Working Overtime’ and the music of XTC transcends genres for sure.  Here is Mandy Moore offering her take on the ‘80s hit. If you scroll through the comments, you will note a mixed reaction. One guy said “After listening to this, I wish I only had four senses”. Ouch! Easy people.

Here is an interesting live version that showcases XTC guitarist Dave Gregory with Marillion. I share this version for a couple of reasons. As you watch, you can definitely feel the love for Gregory and the XTC hit, but stemming from that, I have often felt Marillion does not get the credit they deserve for a lengthy career and a very distinct sound reminiscent of Peter Gabriel era Genesis.

All of this brings me back to the point that music is the soundtrack of our lives. As I worked through this post, I was reminded of the intriguing library of work created by XTC. It all came out during my formative years as a listener. The true testament to this piece and my gravitation to it both then, and now is, XTC was not necessarily in my immediate range of musical interest. Somehow the music spoke to me then, and it still does now. This is the sign of a good band. With XTC, good is an understatement. I hope you enjoyed this trip through the past.