Don’t Let the Sun Go Down on Me – Send it to Engelbert Humperdinck. #MusicisLife #TedTocksCovers #EltonJohn #BernieTaupin

Maybe it was the tension?

Fifty years ago, Elton John was at the top of the music world. He was riding a wave of success that put him up in the same stratosphere as The Beatles and Elvis Presley. Beginning in 1972 with ‘Honky Chateau’ and ending with 1975’s ‘Captain Fantastic and the Brown Dirt Cowboy’ Elton John had a string of five consecutive #1 albums. In between, Elton had hits with ‘Don’t Shoot Me I’m Only the Piano Player’, ‘Goodbye Yellow Brick Road’ and the subject of today’s feature ‘Caribou’ which featured ‘Don’t Let the Sun Go Down on Me’ as the first single.

Due to the run of success, expectations were high, however there were nearly insurmountable challenges. Touring demands forced Elton John and his band to shoehorn studio time in during a small window of time that was available in January of 1974.  The band and production team headed to the Caribou Ranch recording studio in Colorado and recorded most of the album that would carry the name of its origin. It was recorded in nine days. According to producer Gus Dudgeon the band was “under enormous pressure” and high in the mountains, things were reaching a boiling point.

By the time everything was done and the banded headed to Budokhan Theatre in Tokyo, Japan to resume the acclaimed ‘Goodbye Yellow Brick Road’ tour, Dudgeon was left with a whole lot of pieces to a puzzle that was thought by some to be a scrambled mess. The material lacked the cohesion of Elton John’s previous projects. The frazzled producer was able to gather the best of the material and blend in some quality backing vocals, add some horns and other studio treatments and present the music world with something that approached the Elton John standard.

It was accepted.

Maybe it was because he was so close to the process, but when it all was over Dudgeon proclaimed that it was;

…a piece of crap … the sound is the worst, the songs are nowhere, the sleeve came out wrong, the lyrics weren’t that good, the singing wasn’t all there, the playing wasn’t great and the production is just plain lousy”.

Of course, it rapidly ascended to #1 upon its release on this day in 1974. Maybe it was not Elton John’s best work, but under the circumstances they got the best they could out of him. Not only is ‘Don’t Let the Sun Go Down on Me’ one of Elton John’s most celebrated songs, but among fans at least, the record offered some interesting deep tracks.

One wonders what would have happened if they had a solid two months to perfect the creative process.

Everything here is hindsight, and what is considered mediocre Elton John is still high end in the grand scheme of the musical timeline.

Once again, the glue that allowed the Elton John train to continue to ramble down the line was lyricist Bernie Taupin.

Bernie is on record as saying he does not specifically recall sitting down to write ‘Don’t Let the Sun Go Down on Me’ but he is very clear on the fact that he would never allow his lyrics to be classified as mundane.

I like to be more interesting than a good old ‘I love you, you love me, my heart will break if you leave me. Throw in a curveball. ‘Don’t Let the Sun Go Down on Me.’ Put a dark twist on them.”

What if he and Elton John could create yet another musical statement that allowed listeners to recall the Phil Spector ‘Wall of Sound’. This became the goal.

My only recollections of this is that we wanted to write something big. I mean, big in that dramatic Spectory (as in Phil Spector) style, like ‘You’ve Lost That Lovin’ Feelin’. Hopefully being powerful without being pompous.”

With the help of Gus Dudgeon, everything came together in this very way. Years later, Taupin came clean on a few aspects of this song’s creation and his body of work in general. This is really quite funny.

I’m not sure that with this in mind it made me fashion the lyrics any differently. Although, in retrospect, they do seem to have a slightly more Brill Building flair to them, so it’s entirely possible that I did. Of course, I always seem to have to revert to a crib sheet to check these things, as I just seem to have a really bad memory of my own work. In fact, it makes me think of a situation that I found myself in a few years ago watching some TV with some friends of mine. There was a game show on where one of the categories happened to be my lyrics. And there were, I believe, five questions, and four of them I got wrong.”

As always, Bernie Taupin’s lyrics are right there in black and white. Available to us all. Delivered by Elton John as though the world depended on these words in this very moment. For over half a century this combination has helped millions of people take the magnitude of their personal experience and apply meaning to help them get through.

Just one more example of the power of music, even though, in the moment Elton John thought it was crap.  Looking back, that is so hard to believe, but like always, the sun sets and we gather our thoughts and the dawn of a new day brings hope, even if you think you are losing everything.

I can’t light no more of your darkness
All my pictures seem to fade to black and white
I’m growing tired, and time stands still before me
Frozen here on the ladder of my life

Too late to save myself from falling
I took a chance and changed your way of life
But you misread my meaning when I met you
Closed the door and left me blinded by the light

Don’t let the sun go down on me
Although I search myself, it’s always someone else I see
I’d just allow a fragment of your life to wander free
But losing everything is like the sun going down on me

I can’t find, oh, the right romantic line
But see me once and see the way I feel
Don’t discard me just because you think I mean you harm
But these cuts I have, oh, they need love to help them heal

Don’t let the sun go down on me
(Don’t let the sun)
Although I search myself, it’s always someone else I see
I’d just allow a fragment of your life to wander free
(Don’t let the sun)
But losing everything is like the sun going down on me

Don’t let the sun go down on me
(Don’t let the sun)
Although I search myself, it’s always someone else I see
I’d just allow a fragment of your life to wander free, yeah
(Don’t let the sun)
But losing everything is like the sun going down on me”

As stated earlier, much of what we recognize 50 years later as an Elton John masterpiece, can be attributed to the studio vision of Gus Dudgeon. After Elton John and his entourage headed off to Japan, he began to put the pieces together in what Bernie Taupin referred to as the ‘Spectory’ way. This included inviting a handful of backup singers to Brother Studios in Santa Monica to add their talents to the chorus. The list included, Dusty Springfield and members of America and Three Dog Night. This first collective didn’t fit with the recording but it gave Dudgeon a better idea of what the song did need. Here, he invited Del Newman to create a horn arrangement featuring Tower of Power. This creative touch added to the overall presentation. With the music complete, Dudgeon took another crack at the backing vocals. This time he brought in Carl Wilson and Bruce Johnston of the Beach Boys and Daryl Dragon and Toni Tennille of Captain and Tennille fame.

Music fans may recall that the Bruce Johnston/Toni Tennille combination appeared on another famous recording a half decade later. Let’s take a look behind ‘The Wall’ by Pink Floyd. They contributed backing vocals to the album’s ominous opening track and three songs to side four of this epic album.

Here is ‘In the Flesh Part 1’

This is ‘The Show Must Go On’ which depicts ‘Pink’ in a drug induced dream state.

As Pink perceives himself as a neo-Nazi fascist dictator his presence from the podium culminates in the track ‘In the Flesh Part 2’

His dictatorial vision gives way to inciting a riot in suburban London. Here is ‘Waiting for the Worms’

This is all an interesting aside which once again demonstrates how important the backing vocals are in delivering the tension behind the lyrics and a song.

Here is Toni Tennille recalling her contribution to the Pink Floyd classic. Note, her very candid admission that she was only vaguely familiar with Pink Floyd’s work. Tennille considers this as her claim to hipness as she recognizes Pink Floyd as more than just a rock group. For her it was another lovely Sunday morning in Los Angeles. Awesome.

Now, check this out. This is the Elton John vocal track and as the chorus hits, the backing vocals wash over you like a tidal wave. This is incredible. This will take you to a different level of appreciation.

Through all of this it is producer Gus Dudgeon who emerges as the MVP. Here is his honest assessment. Every time I read this quote, I chuckle despite myself as I imagine the scene. Elton John was in a state. This is a passage from Philip Norman’s biography, ‘Sir Elton: The Definitive Biography’.

 When Elton recorded this track, he was in a filthy mood. On some takes, he’d scream it, on others he’d mumble it, or he’d just stand there, staring at the control room. Eventually, he flung off his headphones and said, ‘Okay, let’s hear what we got.’ When Gus played it for him, Elton said, ‘That’s a load of crap. You can send it to Engelbert Humperdinck, and if he doesn’t like it, you can give it to Lulu as a demo.'”

Ironically, these words brought to mind the scene that inspired ‘The Bitch is Back’ which of course was the second single from ‘Caribou’.

The Bitch is Back – Let the fever catch you. #MusicisLife #TedTocksCovers #EltonJohn #BernieTaupin #TheRollingStones #DavidBowie #RodStewart #TinaTurner #LitaFord #MileyCyrus

Wouldn’t it be amazing if even in our worst moments the people around us were able to translate our emotions and give them back to us in this kind of creativity?

Wouldn’t the world be a better place if we were all so in tune with each other?

We need love to help us heal, and as I so often state;

Music is Love! Music is Life!

Now, let’s take a look at several versions of ‘Don’t Let the Sun Go Down on Me’ through the years.

To begin, George Michael plays an integral part.

Once again, Live Aid becomes part of the story. Here is Elton John who graciously hands the vocals over to George in an emotionally wrought delivery of this stunning piece of music. George Michael introduces the song as one of his favourite Elton John tracks. Mutual admiration. How great was George Michael? This will answer the question.

For Elton John, the ladder of his life became a little unsteady and in order to prevent himself from falling he entered rehab. Much of 1991 saw him in recovery. At about the same time, George Michael released his album ‘Cover to Cover’ and went on tour. He regularly included the song, and famously, during the final show at Wembley Arena on March 23 1991, he brought out a surprise guest. Needless to say, Wembley erupted.

The live recording of this song was released as a single later that year, and was a number one hit in both the United Kingdom and the United States.

In 1993, Elton John included ‘Don’t Let the Sun Go Down on Me’ as part of his album ‘Duets’. Proceeds from this release went to several children’s charities with a primary focus on education and AIDS.

From here we can enjoy several interesting presentations of ‘Don’t Let the Sun Go Down on Me’. There are some industry legends coming your way.

Let’s begin with Roger Daltrey in 1987 from his album. This is from the soundtrack for ‘The Lost Boys’. This sounds like a continuation of ‘Love Reign O’er Me’. Few are better.

The best. Here is the extraordinary Joe Cocker. This is from his 1991 compilation album, ‘The Best of Joe Cocker’. The sheer emotion he delivers brings it forth like a Shakespearian soliloquy. Once again, the backing vocals turn it into something almost heavenly in its brilliance.

Still in 1991, this is Oleta Adams. Admittedly, I was not familiar with her work but after listening to this I wanted to dig deeper. This is from here album ‘The Very Best of Oleta Adams’ which was produced by Roland Orzabal of Tears for Fears fame. The connection was real because Adams collaborated with Tears for Fears on their 1985 album ‘The Seeds of Love’. This is fantastic. Consider it a must listen.

Three years later in 1994, Gloria Estefan released her album ‘Hold Me Thrill Me Kiss Me’ which included this cover of ‘Don’t Let the Sun Go Down on Me’. Mostly forgettable.

Still in 1994 here is Elton John and Billy Joel working together during their ‘Face to Face’ tour. This is a live version from Veterans Stadium in Philadelphia. Just listen to the delivery. Legendary! It is hard to believe that thirty years has passed since this tour.

Now we jump all the way ahead to 2016 when Elton John shared the stage with Lady Gaga. This was during Elton’s 2016 show on the Sunset Strip. This special event was presented to promote his album ‘Wonderful Crazy Night’. Watch as she enters the stage and before delivering her part, she takes time to give Elton John a kiss. Then they offer a flawless duet that effectively connects three generations of music fans.

Let’s continue with another artist who comes up often in Ted Tocks Covers. In 2018 Miley Cyrus added her talent to the Elton John tribute ‘Revamp’. I just love this. Miley has a value system that s closely aligned with Elton John’s which only adds to the importance of this cover.  

As much as I was lukewarm on the bio pic ‘Rocket Man’, Taron Egerton did a great job portraying Elton John. I don’t like it when the directors play fast and loose with the timelines and present it to the masses as fact. Do it right or don’t do it at all. Having said that, I stand by my sentiment that ‘Rocket Man’ would make a fantastic musical if they addressed the chronology issue.

Remember Elton John’s vitriol related to his assessment of the original take of ‘Don’t Let the Sun Go Down on Me’? Well, here is Engelbert Humperdinck and his cover version from 2020. Undaunted by his 2020 tour being canceled due to COVID-19, Humperdinck hit the studio and recorded a six-song album of covers called ‘Sentiments’. It included ‘Don’t Let the Sun Go Down on Me’ and ironically, also ‘You’ve Lost that Lovin’ Feelin’’ which partially inspired Elton John and Bernie Taupin.

Ted Tocks Covers has featured Marc Martel on a handful of occasions mostly as a result of his quality covers of Queen and Freddie Mercury. Here is his interpretation of ‘Don’t Let the Sun Go Down on Me’. Always top notch.

Yet another important collaboration is Elton John with the incredibly talented Brandi Carlile. So good. She just exudes the spirit of any song she delivers. Side by side with Elton John, it becomes essential. The fact that this is from Dodger Stadium, adds to the importance of this performance.

Continuing with the theme of quality collaborations and connections to greatness here is Dolly Parton with Elton John. Her album ‘Rockstar’ was released to lend credence to her induction into the Rock and Roll Hall of Fame’. This duet represents about a century of musical brilliance.

Earlier this year Elton John and Bernie Taupin were presented with the Gershwin Prize for Popular Song. During the presentation Charlie Puth honoured Elton John and Bernie Taupin with this tribute. He puts a stamp on it with his close.

We love you Elton and Bernie. Thank you”

Amen!

Elton and Bernie respond in kind, rising in unison to give Puth a standing ovation. A very special moment.

The trials and tribulations of Elton John’ career are well documented. Through it all there was a constant presence that served Elton John well in terms of his creative output and as an emotional outlet. That beacon has been his lyricist and respected companion, Bernie Taupin. Here is Elton John reflecting on their unprecedented partnership.

We’ve never ever had an argument professionally or personally, which is extraordinary because most songwriters sometimes split up because they get jealous of each other. And it’s exciting because it’s never changed from the first day we wrote songs. I still write the song when he’s not there and then I go and play it to him. So, the excitement is still the same as it was from day one and that’s kept it fresh and it’s kept it exciting.”

Through the years, Taupin’s words managed to reflect Elton John’s mindset in a way that borders on spooky. For two people to channel each other’s creative expression so consistently is extraordinary. They continue to stand side by side and when the accolades rain down, they look at each other and acknowledge their role in what has been one of music’s most enduring partnerships.

To think, there have been several periods when Elton John thought he was done. One of those times was in the mid ‘80s when he was diagnosed with non-cancerous polyps on his vocal chords. He was deeply concerned that his career was done.

Here is Elton John and his famous recording with the Melbourne Symphony Orchestra. This live performance from Sydney in December of 1986 has long been heralded as a triumph. To add to the endless fascination with Elton John as a performer take note of the fact that this series of Australian shows saw Elton don a costume that had him perform as Mozart for a portion of each show.

Not only has Elton John connected the generations with his music since the late ‘60s, he has transcended the centuries.

On many occasions he stumbled, but through his music, he saved himself from falling and we all benefited.

When the sun sets on Elton John’s career, not only will we remember the music, but we will honour the resilience.

March 29 – This Day in Music History – A fun look back at a busy day on the music calendar. #MusicisLife #TedTocksCovers #TheBeatles #DrHookandtheMedicineShow #Falco #NormanGreenbaum #ThunderclapNewman #GeorgeMichael #AlanMerrill

Every once in a while, it is fun to put together a feature that highlights very busy or interesting days in music history. Today is one of those days. A quick glance at one of my favourite music websites revealed seven significant occurrences that are worthy of sharing.

Best of all, those of you who take the time to read will have an opportunity to listen to a number of quality songs that have enjoyed some interesting and sometimes universally celebrated cover versions. Enjoy!

We will look to the far away past and then move closer to the present during this exploration. It all begins with one of the greatest bands in music history; if not the greatest, and then one of the finest cover versions ever recorded, by Ted Tocks Covers pick for the greatest cover artist in music history. That’s a lot of superlatives. Do I have your attention?

I give you ‘With a Little Help from My Friends’

With a Little Help From My Friends – All these years later and still guaranteed to raise a smile. #MusicisLife #TedTocksCovers #TheBeatles #JoeCocker #JohnBelushi #TedeschiTrucksBand

It was on this day in 1967 that The Beatles gathered at Abbey Road Studios and began work on a song with the working title, ‘Bad Finger Boogie’. Incidentally this off the cuff studio title gave rise to the name for the band, Badfinger. It was all in reference to John Lennon hammering out his melody line on a piano with his middle finger. Apparently, he had injured his forefinger.

In late May/ early June of 1967, The Beatles released ‘Sgt. Pepper’s Lonely Hearts Club Band’ and the Ringo Starr vocals have resonated with a global musical audience ever since. It is definitely a galvanizing piece of music, but arguably ‘A Little Help from My Friends’ never sounded as pleading as when Joe Cocker delivered it to half a million people at Woodstock in 1969.

Even Paul McCartney admitted that Joe Cocker took ‘With a Little Help from My Friends’ to aa different level.

It was just mind blowing, totally turned the song into a soul anthem and I was forever grateful for him for doing that.”

Paul McCartney

How great is the Joe Cocker recording and the legacy of his cover? Consider this. When he was working with Denny Cordell and Tony Visconti in the studio, the goal was to take the Beatles hit and imagine an Aretha Franklin/Ray Charles style delivery. This meant recording it with a slower, soulful almost conversational presentation. Studio support was offered by Procol Harum drummer B.J. Wilson, Tommy Eyre with a brilliant organ part, and perhaps most noteworthy, Jimmy Page with a guitar track.

Fifty-seven years later, ‘With a Little Help from My Friends’ is still an essential song on every music fan’s playlist and the cover versions go well into the double digits.

Six years later a ragtag and eclectic collective of musicians known as Dr. Hook and the Medicine Show joined forces with poet/lyricist Shel Silverstein to write the whimsical piece known as ‘Cover of the Rolling Stone’. The song made its way to #6 on the U.S. singles chart.

The Cover of the Rolling Stone – Today’s classic song and a couple of fun cover versions. #MusicisLife #TedTocksCovers #DrHookandtheMedicineShow #ShelSilverstein #Poison #Phish

As we all know, through the lyrics Silverstein shares a list of the perks fame has brought he and his colleagues, but then laments the fact that they had never been featured on the front page of the world’s most renowned rock and roll magazine. Yet another timeless track that still makes any listener with a pulse sing along and smile.

On this day in 1973, Dr. Hook and the Medicine Show did indeed get their picture on the cover of Rolling Stone magazine, and yes, they really did buy five copies for their mothers.

Now we go back to the mid ‘80s and an intriguing release that combines techno-pop, new wave and classical music. Falco’s homage to Wolfgang Amadeus Mozart, ‘Rock Me Amadeus’ began a three-week run at #1 on the U.S singles chart on this day in 1986.

Rock Me Amadeus – Centuries of influence and a trip through musical genres #MusicisLife #TedTocksCovers #Falco #Mozart #MeekMill

This is a fascinating piece of music which served to enlighten millions of music fans. Yet another classic example of how the classical music genre plays a crucial role in inspiring the music of the present day. Falco bridges a 200-year gap, and does it in a way that almost forces people to stop and listen. In doing so, he became the first German speaking artist to achieve the #1 status in the United States.

Moving on, it was interesting to note that on this day in 2015 singer and song writer Norman Greenbaum was critically injured when the car he was riding in turned into the path of an oncoming motorcycle. Sadly, the motorcyclist was killed in the collision. Greenbaum recovered and managed to return to his life as a performer eight months later. Here is Norman Greenbaum’s most famous song, ‘Spirit in the Sky’.

Spirit in the Sky – Go to the place that’s the best. #MusicisLife #TedTocksCovers #NormanGreenbaum #DoctorandtheMedics

Norman Greenbaum is still alive and well. Whenever this song is played, whether by Greenbaum himself or the quality cover by Doctor and the Medics, people stop and listen.

Exactly one year later, the music world lost Andy Newman, better known by his nickname, ‘Thunderclap’. On this day in 2016, Thunderclap Newman died at the age of 73. There is no doubt that Thunderclap Newman is best known for his #1 hit called ‘Something in the Air’. An interesting anecdote to this song, is that it was initially slated to be called ‘Revolution’ but they changed it in order to avoid confusion with popular Beatles track of the same name.

Something in the Air – We have got to get together sooner or later, because the revolution is here. #MusicisLife #TedTocksCovers #ThunderclapNewman #AndyNewman #JohnSpeedyKeen #PeteTownshend #TomPettyandandtheHeartbreakers #Eurythmics #TheDukesofSeptember #DixieChicks

Andy Newman received his well-known nickname from his school friends during his teen years. They were referring to his piano playing style which they likened to a resounding thunder clap. The band named after its leader was brought together at the behest of legendary guitarist Pete Townshend of The Who. He believed in Thunderclap Newman so much that he stuck around to produce this debut single as well as arrange the strings. The most astute musical observers will note that the bass player on ‘Something in the Air’ used the pseudonym ‘Bijou Drains’. Yep, that was Pete Townshend too.

As the calendar turns one more year ahead to 2017, it was on this day that year that George Michael’s family finally was finally able to lay him to rest. Sadly, Michael died on Christmas day of 2016 but it took a significant period of time for coroners to agree on a cause of death. The initial report was listed as inconclusive. This did not sit well with George Michael’s family so they persisted in establishing something that offset any assumptions that it was either suicide or drug and alcohol related. In early March the determination came down as natural causes due to a dilated cardiomyopathy with myocarditis and a fatty liver.

The funeral ceremony was private, and he was buried at Highgate Cemetery in north London. It is significant to note that George’s grave site has his mother Lesley on one side, and sister Melanie (nee Panaylotou) on the other. Melanie died three years to the day after her brother. Here is a feature that speaks to the fantastic song, ‘Faith’.

Faith – Today’s classic song and a fantastic cover. #MusicisLife #TedTocksCovers #GeorgeMichael #LakeStreetDive

Finally, it was on this day four years ago that Alan Merrill died. He was a victim of the coronavirus. There is no doubt that Merrill was best known for writing and releasing the original version of ‘I Love Rock ’n’ Roll’ in 1975. At the time he was the lead singer of a band called The Arrows.

I Love Rock and Roll – Put another dime in the juke box for a hit that keeps on giving. #MusicisLife #TedTocksCovers #TheArrows #AlanMerrill #TheRollingStones #SteveJones #PaulCook #JoanJettandtheBlackhearts #TinyTim #WeirdAlYankovic #BritneySpears

Seven years later in 1982, ‘I Love Rock ‘n’ Roll was a huge hit for Joan Jett and the Blackhearts.

The fact Merrill was a victim of COVID is sad but he was just one of 1,218,467 victims of the disease in the United States, many of whom were sitting ducks due to the inaction of the greedy loser who was ‘acting’ as ‘President’ at the time. Here is a fact to take note of as you sip your morning coffee and listen to the music.

No country handled COVID worse than the United States. In addition to the 1.2 million plus victims, a total of 111,728,488 people have been documented as having contracted the virus. Lord Farquaad’s only real solution was injecting Ivermectin or drinking bleach. The greedy piece of human excrement was more concerned about the economy than the health and welfare of his country’s citizens. One of the worst leadership performances in world history, but what else would one expect from a lifelong criminal. A silver spoon trust fund baby. A rapist. An adulterer. A con artist who moves from grift to grift in order to fund his criminal enterprises. A twice impeached fake leader who serves no one but himself. A bully who is facing 91 charges and four criminal indictments.

Some of you may die, but that’s a sacrifice I am willing to make.”

Lord Farquaad – Shrek

The ‘Mandarin Mussolini’ sacrificed millions and Alan Merrill was just one. From the outside looking in, I cannot fathom how it is even possible that this shit stain on humanity has not been locked away for life for depraved indifference, let alone the fact that millions still cling to his every garbled lie, like he is the answer to everything wrong with their lives.

The current litany of charges he is facing in impending court cases carry maximum sentences of up to 700 years in prison. I would settle for 2 percent of that. Just long enough for his bloated cheeseburger inhaling, stinking shell of a body to rot in prison.

Then the world can flush this turd and wipe away this blemish that has polluted the face of the Earth for far too long.

Face it folks; his current election campaign is yet another con. It is all an effort by ‘Pervert Hoover’ to avoid prison. Nothing else.

I repeat…Nothing else. He doesn’t care about anyone but himself. Never has…Never will.

Rant over…

Fortunately, music is a distraction.

I love rock and roll.

#MusicisLife

Wake Me Up Before You Go Go – Let music take you where your heart wants to go. #MusicisLife #TedTocksCovers #Wham #GeorgeMichael #KatharineHamnett #Queen #KateDavison #Pomplamoose #LeoMoracchioli #FamilyGuy

“… music takes me
Where my heart wants to go.”

Cat Stevens

Today’s feature may catch some of you off guard. Read on and I hope you understand where I am coming from. It all connects to the Cat Stevens quote I paraphrased to lead into the post, and a lesson I have learned in recent years.

I could summarize this and save you a five minute read, and then you could just go straight to the cover versions of today’s feature.

George Michael was good at writing songs.

In the early days this included his part in the pop duo called Wham. Let’s just say in 1984, Wham did not reside in my world of listening and I wrote it off as silly commercial tripe and paid as little attention as possible. I was not alone here. Following the break up of Wham, George Michael was not always positive about what he perceived as a blatant effort to reach the lucrative teen audience. His musical partnership with Andrew Ridgely dissolved largely because he wanted to pursue a more sophisticated style of performance. But the truth is, ‘Wake Me Up Before You Go-Go’ made people happy. To this day you can still sense the positive emotion that emanates when the song is played.

It all started because of a mistake Andrew Ridgely made while writing a note to his parents. The note was intended to say, “Wake me up before you go,” but he accidentally wrote ‘up’ twice. Rather than cross out the second ‘up’, he opted to add a second go so the note read:

“Wake me up up before you go go.”

Andrew Ridgely

Fortunately, Ridgely’s parents kept the note and they all shared it with George Michael who immediately gravitated to the possibilities of the line.

“I just wanted to make a really energetic pop record that had all the best elements of Fifties and Sixties records, combined with our attitude and our approach, which is obviously more up tempo and a lot younger than some of those records. It’s one of those tracks that gets rid of a lot of your own personal influences; it reminds me of so many different records that I couldn’t actually nail them down. I’d done a demo at home that just had a bass line and a vocal on it. Usually, I write the record in my head; I know what all the parts are going to be and I sing them to all our musicians. And it was great. … We actually did it as a rehearsal. We used a LinnDrum because the drummer was late, and it was such a good track that we kept it.”

George Michael

For Wham it was mission accomplished. The song was released in the U.K. in May of 1984 and it vaulted to #4 on the charts. A week later it was #1. The song was released in August of 1984 and it went to #1 on the Billboard Chart on this day later that year. But, the song itself is only part of the story. There was a video…and there was a shirt that each of George Michael and Andrew Ridgely wore in the video. The message became almost as important as the song.

“CHOOSE LIFE”

Katharine Hamnett

In the MTV era the video was a necessary accompaniment to any single release. It had to be memorable. Sometimes videos would resonate with an audience because of the obvious effort the artists put into the presentation, and other times the reason for the lasting impression is almost accidental. In the case of ‘Wake Me Up Before You Go-Go” it was the latter. The video’s director Andy Morahan decided to keep it relatively simple. Wham would perform the song to an audience of teens at Brixton Academy in South London. The focus would be on the dynamic between Wham’s performance and their adoring young audience. It seemed simple enough, and on the surface that goal was fulfilled. Due to the popularity of the song, the video became a huge hit. The fact Ridgely and Michael wore the oversized t-shirt designed by Katharine Hamnett, emblazoned with the message “CHOOSE LIFE” helped lead to a huge fashion craze.

The shirt was actually launched in 1983. Hamnett is a U.K. fashion designer who is known for her political t-shirts and ethical business philosophy. In order to get a message across she believed in two basic components:

1. You need a strong message and present it in bold letters on the shirt.
2. You need prominent people to wear the fashion.

The “Choose Life” slogan was inspired by a Buddhist exhibit she saw that spoke against war, death and destruction. It is unfortunate to note that religious zealots in the United States tried to present the “Choose Life” message as part of a ‘pro-life’ and ‘anti-abortion’ movement. Hamnett was quick to dispel any notion that she was connected with these narrow-minded fools.

“It’s not about the anti-abortion lobby. The US anti-abortion lobby attempted to appropriate CHOOSE LIFE. We are taking it back and promoting its real meaning. Ours is authentic and I believe in a woman’s right to choose.”

Katharine Hamnett

If you think back to this time period Hamnett’s stance in the pro-choice and ultimately, the gay rights movement put her way ahead of her time. Katharine Hamnett went on to produce several other similar designs, most recently “CHOOSE LOVE” in order to support ‘Help Refugees’ and to increase compassion, understanding and support for the plight of refugees around the world.

Wham was not the only act to wear the ‘CHOOSE LIFE’ message in a video. Check out Queen’s Roger Taylor in this video promoting ‘Hammer to Fall’.

For a really well written article on the significance of the ‘CHOOSE LIFE’ message read this post by Kate Davison.

https://overland.org.au/2017/02/choose-life-a-short-history/

Getting back to me in the early ‘80s, and my narrow minded view on music; let’s just say that I was heavily focused on the British Invasion, the ‘60s, hard rock and Rush. Obviously, I had no time for Wham. I was blissful in my ignorance. I tuned out. I never knowingly listened to the entire song in one sitting until about 2012. Here is how out of touch I was.

I was Christmas shopping in 1984. I needed a gift for my good friend, Heather. I was wandering through Stone Road Mall in Guelph and I noticed a window display in a trendy fashion store that until that day I had never dared to venture. My look never went too far beyond faded Levi’s jeans, a concert t-shirt and an oversized plaid flannel long sleeved shirt. The mannequins in this display made me look twice. They all wore a shirt with the message “CHOOSE LIFE”. I thought this was interesting. Heather was a major advocate for peace, anti-war and anti-nukes. At the time this was a prevalent theme in society due to the media saturation of the ‘Cold War’. It was perfect, I thought. I will buy it for Heather, and she will be on the cutting edge, all because of me and my shrewd eye for fashion and all the latest trends. I went in and slapped down a twenty.

“Would you like this gift wrapped,” the New Wave girl behind the counter asked.

“No thanks. I will wrap it myself.” I responded, thinking to myself “what makes you so sure it is not for me?” Hmmmpf…what an insult! Then, I looked in the mirror behind the counter and saw myself wearing a jersey from Rush’s ‘Signals’ tour. I casually flipped back my shoulder length feathered hair, parted in the middle and left the store as a song began over the store P.A. I heard the words “Jitterbug” repeated four times with a finger snap. I shook my head. I will never be a conformist…

At Christmas, Heather and I exchanged gifts. I was so proud.

When Heather opened the shirt she proclaimed, “Oh Wow! A Wham shirt. Thanks!”

 My smile faded. “Wait! What?”

“This is the shirt George Michael wears in the Wham video for ‘Wake Me Up Before You Go Go’.

I need to be clear here. Heather was always interested in cool music, but she has always been way more open minded than me. She loved to dance so she was definitely attracted to the ‘80s sound as much as the more rock-oriented music I preferred.

I nearly fainted.

I went on to explain that I bought it because of the message “CHOOSE LIFE” so I got it half right. I took a fair bit of ridicule for being so utterly clueless, yet somehow managing to get a gift that mattered. That was thirty-five years ago. Today we are married with three adult children. I still border on moderately oblivious (some days completely oblivious) and Heather alternates between gleeful pride in pointing it out, or abject frustration and bewilderment as to how I can possibly function in day to day society.

This is what brings me around to the message for today’s post. If music makes you happy it is good. What brings happiness out in some, may not do it for all. It took me a while to come around to this notion. I admit it. The thing is, true happiness in today’s world is not only fleeting, it is rare. Too often, sadness and anger are more prevalent. So, listen to the music and enjoy.

I will close with a couple of covers and a fun memory from Family Guy.

Here is Pomplamoose from 2014. This duo is well known for their strong covers of popular songs.

In direct contrast to this style I give you Ted Tocks Covers favourite, Leo Moracchioli. I have featured Leo on several occasions. He never disappoints, giving his unique impression of classic songs with a heavy metal delivery. His talent is limitless. He plays every instrument and is extremely entertaining while doing so.

Finally, here is a memorable scene from ‘Family Guy’ where Chris Griffin wins over a primitive tribe and ‘engages them all in dance’, thus winning over the beautiful daughter of the elder.

‘Wake Me Up Before You Go-Go’ is the sound of happiness. It is way more than a guilty pleasure. It is songwriting mastery in its purest form. Some people figured that out right away, while others took the better part of thirty years.

Hopefully today’s post will bring a smile to your face.

Freedom! 90 – Today’s classic song and a couple of covers from opposite ends of the music style spectrum. #MusicisLife #TedTocksCovers #GeorgeMichael #RobbieWilliams #UmphreysMcGee

In the ‘80s George Michael was all over the place when it comes to milestones and noteworthy recollections in the world of music history. On this day in 1985 George Michael and his partner Andrew Bridgely who made up Wham became the first act to tour China.

One year later George Michael had embarked on a solo career and his duet with Aretha Franklin ‘I Knew You Were Waiting For Me’ hit the top of the UK Charts.

Today’s feature is a tribute to the George Michael song, ‘Freedom! 90’, not to be confused with the song of the same name (Freedom) released by Wham. 

‘Freedom’ was released in 1990 by George Michael as a personal commentary. It speaks to some degree about his personal freedom as an artist after leaving Wham. His solo career was a massive commercial success, but he was dealing with personal issues related to being marketed more as a sex symbol than an artist. He struggled with this approach and ‘Freedom’ in many ways was his defiant response. George Michael even went so far as to refuse to appear in the video for the song. For this he opted to have a group of supermodels, who lip synched the lyrics.

Speaking of the lyrics, here you have a clear reference to the Wham days as well as thoughts on his evolution as an artist with a clear shot at the industry executives who were trying to control him. It is hardly veiled.

“Heaven knows we sure had some fun, boy
What a kick just a buddy and me (what a kick just a buddy and me)
We had every big-shot good time band on the run, boy
We were living in a fantasy (we were living in a fantasy)
We won the race, got out of the place
I went back home, got a brand new face
For the boys on MTV
But today the way I play the game has got to change, oh yeah
Now I’m gonna get myself happy

I think there’s something you should know
I think it’s time I stopped the show
There’s something deep inside of me
There’s someone I forgot to be
Take back your picture in a frame
Don’t think that I’ll be back again
I just hope you understand
Sometimes the clothes do not make the man

All we have to do now
Is take these lies and make them true somehow
All we have to see
Is that I don’t belong to you
And you don’t belong to me, yeah yeah”

In a previous post I admitted to not giving George Michael the credit he deserved, and I stand by that point. The more I listen to, and watch George Michael, the more I like him. I am still not sold on Wham though. Give me another twenty years.

For today’s cover versions we have a pair of divergent acts. The first is by Robbie Williams in 1996. I don’t get it but, apparently, he is a big deal. I have been wrong before. See above. Williams’ version actually went to #2 in the UK. This was a much a much higher showing than George Michael’s, which hovered in the high 20s. This has me scratching my head. Having said that I must point out that there are parallels between George Michael and Robbie Williams. William’s had left Take That, who were a very prominent act in the early to mid ‘90s, and he too was trying to make his mark as a solo artist. ‘Freedom’ allowed him to make a point and illustrate that fact. As I type I am listening to his song ‘Angels’ and to me this is a stunning example of his abilities. Two thumbs down on his version of ‘Freedom’ and two thumbs up on ‘Angels. Here is Robbie Williams doing ‘Freedom’.

Now those who follow my posts know that I am a fan of jam bands and performers who pay homage to music’s roots. Here is Umphrey’s McGee. These guys can do it all. They formed in 1997 while attending Notre Dame University in Indiana. Check them out. They are a brilliant band.

I Knew You Were Waiting – Today’s classic song by two legends plus a great cover. #MusicisLife #TedTocksCovers #ArethaFranklin #GeorgeMichael #SimonClimie #DennisMorgan #MichaelMcDonald

Today’s feature song is noteworthy for what it meant to the careers of a couple of iconic performers. ‘I Knew You Were Waiting’ is a celebrated duet between the Queen of Soul, Aretha Franklin and the immensely talented, George Michael. In addition to celebrating this remarkable combination of vocalists, today’s post will celebrate the songwriting prowess of Simon Climie.

‘I Knew You Were Waiting’ registered as a possibility for today’s post due to the fact that Simon Climie celebrates his 59^th birthday today. While reading up on this prolific songwriter I became intrigued by his contribution to music and wanted to share his story. The English songwriter/producer began his career as a session musician at Abbey Road Studios. During this time he met Rob Fisher and the two set out on their own as Climie Fisher. You may remember Fisher as part of the group, Naked Eyes. Climie Fisher had two internationally successful hit singles: ‘Rise to the Occasion’ and ‘Love Changes’ (Everything)’.

Heading back to ‘I Knew You Were Waiting’; the song was written in the mid ‘80s as a collaboration between Simon Climie and Nashville songwriter Dennis Morgan. It was produced by Narada Michael Walden who in the late ‘80s had quite a run of hits going. The way this song came together is quite intriguing. At the time of the composition’s origin Simon Climie was relatively unknown. Climie and Morgan met in 1983 at an Everly Brothers concert and struck a friendship. As it turns out ‘I Knew You Were Waiting’ was actually the third song that the pair had written together. According to Dennis Morgan;

“That was one of those songs that came out of mid air – a gift from above, if you will.”

Dennis Morgan

The continuation of this gift was another combination of perfect sequences that led to the ultimate performance. By the early ‘80s Aretha Franklin was mired in a bit of a recording slump. In 1985 her career was revitalized by her hit ‘Freeway of Love’ and she needed to follow that hit up. Enter George Micheal; who had just left Wham and wanted to set the world on fire with a recording that would show that he was more than a flash in the pan member of a ‘boy band’. The moment was perfect for the two to come together. For George Michael it was the fulfillment of a lifelong dream of performing with one of his idols. You can credit the head of Arista Records, Clive Davis with the idea of connecting Michael and Franklin, although as it happens the song was also pitched to Tina Turner who in 1984 had some incredible success with her duet with Bryan Adams ‘It’s Only Love’. Turner was also enjoying a huge career resurgence.

The video for ‘I Knew You Were Waiting’ creates a symbolic presentation of how these two forces came together in what would become a mutual admiration society. The viewer gets to see each performer performing, both in front of the screen and on it. You also see Franklin preparing for her parts as she awaits George Michael’s arrival. As the second verse begins you see clips of the two artist’s early careers and as the second chorus ends Michael joins Franklin on stage. This is where the significance of the song really hits home. Footage of other famous duets are shown featuring artists like Sonny and Cher, and Marvin Gaye and Tammi Terrell (see Ted Tocks featuring How Sweet It Is). You can feel the magic between the two singers as they sing the bridge and as the video ends Aretha Franklin winks at the camera. It is a great music moment. The end result was a Grammy Award winning #1 song. It would be the final Top 10 hit of Aretha Franklin’s incredible career. For producer Narada Michael Walden it was bittersweet because ‘I Knew You Were Waiting’ knocked another one of his songs out of #1; ‘Nothing’s Gonna Stop Us Now’ by Starship.

In terms of what ‘I Knew You Were Waiting’ meant to the two artists here are their brief recollections. For his part George Michael laid a lot of the song’s success at the feet of Walden who created a very relaxed atmosphere during the recording. As far as his approach Michael admitted he was nervous, but he remained within himself, not trying to copy Franklin in any way;

“Nobody can emulate Aretha Franklin. It’s stupid to try. I just tried to stay in character, keep it simple – it was very understated in comparison to what she did.”

George Michael

For Aretha Franklin; she said this in a 2017 interview with Entertainment Weekly;

“The first time I heard George was with Wham! and I liked it then. He had a very unique sound, very different from anything that was out there. When Clive [Davis] suggested we get together for ‘I Knew You Were Waiting,’ I was all ready. It reminded me of Jerry Wexler. We’d go in the studio and cut songs. If we were happy with what we recorded, Jerry would say, ‘Let’s wait until tomorrow. If we feel the same way that we do now, maybe we have a hit.’ ‘I Knew You Were Waiting’ had that. Musically, it does not grow old.”

Aretha Franklin

As always, Aretha was right. It does not grow old.

For today’s cover version I will feature a very strong cover by yet another prolific singer/songwriter/keyboardist, Michael McDonald, most notably of the Doobie Brothers. McDonald has a long history as a great songwriter and a powerful collaborator. His version of ‘I Knew You Were Waiting’ speaks to his versatility as an artist. It was recorded in 2008 as part of his Soul Speak album. His distinct voice and the high-quality backing vocals make for a powerful recording. Enjoy!

The mountains may be high, and the valleys may be low, but somebody is out there, waiting for you.

Faith – Today’s classic song and a fantastic cover. #MusicisLife #TedTocksCovers #GeorgeMichael #LakeStreetDive

Today, Ted Tocks takes you back to the ‘80s again. People seem to enjoy it here. Without a doubt when I mine this decade I discover some gold. 1987 marked an important year for George Michael as an artist. In 1986 Micheal disbanded his pop duo, Wham. Sorry folks, I could not buy into this act. ‘Wake Me Up Before You Go-Go’? That was a firm ‘NO, NO’! Needless to say, I was not at all troubled by the dissolution of Wham and as a result I had little or no interest in George Michael’s solo venture. (I softened my stance on this later in 2019).

Wake Me Up Before You Go Go – Let music take you where your heart wants to go. #MusicisLife #TedTocksCovers #Wham #GeorgeMichael #KatharineHamnett #Queen #KateDavison #Pomplamoose #LeoMoracchioli #FamilyGuy

It seems George Michael ventured out on his own precisely for that reason. Wait! Not because I didn’t care, but because he was tired of being accused, that Wham was a teeny bopper group with little substance. Today’s feature song is ‘Faith’ and it represented a shout out to everyone, that George Michael was more than just a pop star with a pretty face. ‘Faith’ is a song that has a multi genre appeal and by its very nature pays homage to the rock and roll shuffle rhythm that can be traced directly to the iconic legend of Bo Diddley. Looking back upon the release of ‘Faith’, the album, one rediscovers the depth of this offering. Today’s feature represents the second of six singles. The modest departure from George Michael’s typical pop oriented style is said to be owed to producer Dick Leahy who felt a song with a pure rock and roll beat would provide an edge to the record. The song was compelling from the introduction because the anticipation builds, from an organ piece that recalls the Wham song ‘Freedom’ which evolves into the shuffling guitar strumming, finger clicking and combination of hand claps, tambourine and hi-hat. In short, it just jumped out at the listener and along with the video release, it situated George Michael as one of the hottest acts in music in the latter part of the decade. Speaking of the video, it was extremely well done from a marketing standpoint. Basically, what the viewer got was an ad for 1988’s version of the prototypical male. He was incredibly good looking, multi-talented, and he could pull off the rugged good looks with the faux biker style. Looking back on it, I just threw up my hands and said, ‘I am not worthy’. ‘Faith’, the album hit #1 on this day in 1988 and ‘Faith’, the song would go on to spend fifteen weeks on the Hot 100 Chart. It is still a favourite in the club scene today among DJs and bar bands alike. It all goes back to the strong appeal and that timeless riff.

In retrospect, my assessment of Wham may have been a little harsh. As I write this post I have gained a deeper understanding of George Michael’s mass appeal. As usual, I was late to the ‘80s party by about thirty years. This is kind of a pattern for me. In all truthfulness, my respect for George Michael really did begin with ‘Faith’ back in 1987/88. It was solidified when he performed ‘Somebody to Love’ during the Freddie Mercury Tribute concert at Wembley Stadium in 1992. It was etched in stone when I learned way more about him after his sudden and untimely death on Christmas Day in 2016. Above all else, George Michael was a philanthropist. Publicly this was evident from the outset of his career with Wham, as he and his co-star Andrew Ridgeley were a part of the Band Aid famine relief song ‘Do They Know It’s Christmas’. What was moderately overlooked due to the epic popularity of Band Aid was that Wham donated proceeds of their Christmas song ‘Last Christmas’ to Ethiopian famine relief, too. ‘Last Christmas’ resided at #2 on the U.K. Charts so this was significant.

From this point, George Michael became a mainstay on the cause oriented music scene. Wherever there was an event for charitable purposes he was a prominent figure on centre stage, from Prince’s Trust to Nelson Mandela’s 70^th Birthday to LGBT Rights to the Elton John Aids Foundation, George Michael was there. After Michael’s death it was revealed that this generosity of spirit was way more than just looking for public accolades. A U.K. charity called Childline that provides counselling services for young people was the recipient of what was described as ‘millions’ over the course of his successful career. When his partner Anselmo Feleppa died of an AIDS related hemorrhage in 1996, George Michael wrote ‘Jesus to a Child’ for him, and donated proceeds to Childline. He also provided major support to an AIDS related charity called ‘Terrence Higgins Trust’ that offers services relating to AIDS treatment and sexual health, as well as support to the MacMillan Cancer Support. Perhaps most noteworthy, through all of this, after his death and through the permission of George Michael’s family it was revealed that his capacity for empathy and compassion knew no bounds. While watching the quiz show Deal or No Deal, Michael was captured by the story of a contestant who indicated that she was hoping to win in order to fund a 15,000 pound In Vitro Fertilization treatment. George Michael funded the treatment. Upon release of this story another woman stepped up and indicated he did the same for her, after seeing her tell her story on a TV talk show in 2010. This particular woman gave birth to a daughter in 2012. The list goes on.

There is no doubt that George Michael had some personal struggles, but any character flaws were overshadowed by his capacity for love and giving. Fortunately, through the success of his music he was able to give a lot. Just ask the barmaid at a British pub who was trying to supplement her schooling as a student nurse. Through conversation, George Michael discovered the woman was anxious about her student debt and prospects to repay. After a lengthy visit and a touching good bye the woman discovered that Michael had left her a 5000 pound tip.

For today’s cover I checked out a few options. There is a version by Limp Bizkit that is virtually unlistenable, so I moved on and discovered a gem by Lake Street Dive. This is a phenomenal multi genre band out of Boston that I first became aware of through Tom Power on CBC Radio. Their unique blend of talents provides a fantastic listening experience. They draw from a wide range of influences and through their ensemble, that includes trumpet, guitar, stand-up bass and keyboards the delivery of each song has an incredible depth. Check them out if you get a chance. Here they are doing ‘Faith’. The singer, Rachael Price is brilliant. The trumpet by Mike Olson adds a ton to their presentation and the harmonies by Bridget Kearney and Mike Calabrese are stellar.

Somebody to Love – The music world bids a fond farewell to a friend. #MusicisLife #TedTocksCovers #FreddieMercury #Queen #GeorgeMichael #TaylorHawkins

Since I began this series in January I have often wondered to myself how many views the songs that I post actually get as a result of my sharing. I fully realize that it is likely only on rare occasions that a Ted Tock will speak to songs that people are not familiar. On the other hand, I hope that sometimes my posts will be somewhat nostalgic in that they remind the reader of a song that they love. Then, with a little prompt from the story I share they feel compelled to read the article to find out more, and then listen to the song. With today’s post I suspect I could just post the video and people would watch it; and based on the immense talent on display I am confident that many of you will watch it more than once. That is the position I found myself in as I wrote. ‘Somebody to Love’ by Queen is yet another Freddie Mercury masterpiece that is only enhanced by the complimentary talents of his band mates. The video only serves to emphasize this fact. The quality of the piece keeps you going back. The following is a brief story of the song’s history and then I will share another special moment in music history.

According to Queen’s drummer Roger Taylor, ‘Somebody to Love’ was inspired by the talents of another iconic singer; Aretha Franklin. It is this influence that opened the doors to what became a gospel oriented piece. True to this era of Queen, ‘Somebody to Love’ is a multi layered track that is an obvious evolution of the possibilities that Freddie Mercury perfected while creating ‘Bohemian Rhapsody’ a year earlier. It appeared on their ‘A Day at the Races’ album in 1976. As much as Queen notified the rock world that there was room for a combination of rock and opera, the combination of rock and gospel was still alive and kicking. ‘Somebody to Love’ went to #2 in the U.K and #13 on the U.S. Billboard Hot 100.

Featuring the soul searching lyrics of Freddie Mercury, ‘Somebody to Love’ is an existential piece that finds the singer questioning God’s role in a life without love. Readers who are familiar with Mercury’s biography will understand the struggles he was having on an individual basis. Despite Mercury’s outward confidence and the flamboyant outlet he enjoyed as a front man for Queen, he struggled with feelings of inadequacy and lack of belonging. At the time of this composition he had notified his wife and soul mate, Mary Austin of his sexuality. This ended their romantic relationship but their platonic relationship would last. Mercury often lamented that Mary was the ‘Love of My Life’ but he couldn’t hold onto her in the form of his marriage because of his homosexuality. Sadly, the world was not nearly so accepting in the ‘70s and ‘80s and this left Mercury very guarded and defensive about his personal life. He had a very carefully selected inner circle of people he could trust, and he rarely extended beyond that comfort zone in any deep sense. These thoughts come through loud and clear in this powerful song.

The introspective lyrics are only enhanced by Freddie Mercury’s vision. He created a studio environment where he and band mates Roger Taylor and Brian May could multi track their voice in order to make it sound like a one hundred member gospel choir. The intricate harmonies are something to behold. ‘Somebody to Love’ is yet another true testament to the brilliance of Queen and the innovation of Freddie Mercury as an artist. While watching the song unfold in the video the listener can get a greater sense of the sections held within. Each movement is amazing in its’ own right but as a whole it is an epic performance. Beyond the vocal brilliance you get one of Brian May’s distinctive guitar solos which would ordinarily be a showstopper on its own. At about the 2/3 point you think the song is finishing and you get Roger Taylor leading you through the ‘Need Somebody to Love’ chant before the song concludes with the plaintive Mercury pleading for ‘somebody’ while Taylor and May continue in the background.

The promotional video that I shared has been viewed over 144 million times. I suspect many have done what I have done and watched it over and over again. It was filmed during a staged recording session at the band’s studio and then during a renowned Hyde Park live performance while they toured ‘A Day at the Races’. The in studio footage added bassist Brian Deacon to the scene of all four members working on the harmonies, but evidently this was just for aesthetic balance. Deacon was not comfortable with his voice and didn’t feel that he could contribute in this way. He just laid down the bottom end of the rhythm section for this song, true to his modest character. A constant trait for Deacon throughout Queen’s career. Deacon did do some backing vocals on stage but based on an agreement with his techs, the faders were turned very low. Those bassists are always the quiet ones. 

This musical interlude is brought to you by…Bassists:

Now getting back to the reason for today’s post. Sadly, it was on this day in 1991 that the world lost Freddie Mercury. He had been diagnosed with AIDS in 1987 (not in early 1985 as inexplicably depicted in the Queen bio pic ‘Bohemian Rhapsody…don’t get me started). For years the British press and by extension the world press had been hounding Freddie with questions about his sexuality. Throughout the late ‘80s, Mercury was questioned about his deteriorating appearance and the fact that the band seemed to be on an extended hiatus. Freddie Mercury and Queen made their last public appearance as a band in February of 1990 when they accepted a Brit Award for Outstanding Contribution to Music. In November of that year a British tabloid stalked Mercury and published a front page expose with a series of photos depicting the gaunt and failing singer along with the headline “It’s official-Freddie is seriously ill”. True to his character Freddie chose to remain within himself and among his closest and trusted friends. They all continued to deny the rumours to protect Freddie and those within his circle. Behind the scenes Queen was spending some time preparing a video for their final group performance ‘These Are the Days of Our Lives’. He was able to go to the studio to work for a couple of hours each day for this project in the spring of 1991. People close to the project report Freddie as being very happy and positive during this process. His mission was to do his part and let the band finish it when he was gone. I get a lump in my throat just thinking about it. In Freddie’s words;

I’m not going to think about it, I’m going to do this.”

Freddie Mercury

From about June through to his death Mercury retired to his home in Kensington, surrounded by his closest friends. His condition deteriorated horrifically. He was beginning to lose his sight and at the end he was unable to get out of bed. He bravely chose to hasten the condition by not taking his medication; only painkillers. On November 22nd at the behest of Mercury, Queen’s manager; Jim Beach, issued a statement:

Following the enormous conjecture in the press over the last two weeks, I wish to confirm that I have been tested HIV positive and have AIDS. I felt it correct to keep this information private to date to protect the privacy of those around me. However, the time has come now for my friends and fans around the world to know the truth and I hope that everyone will join with me, my doctors and all those worldwide in the fight against this terrible disease. My privacy has always been very special to me and I am famous for my lack of interviews. Please understand this policy will continue.

Jim Beach/Queen

Take that British press…Two days later Mercury died of complications resulting from AIDS. His funeral was held three days later with his family and 35 of his closest friends. In death as in life Mercury kept things within his inner circle. Freddie Mercury charged his beautiful friend and soulmate Mary Austin with the honour of spreading his ashes in an undisclosed place. This location has never been revealed. A true testament to their special relationship.

For today’s cover version I want to share a special moment that could only be done for a handful of artists. The Freddie Mercury Tribute Concert was held in April of 1992 and broadcast worldwide from the scene of many a Queen conquest; Wembley Stadium in London. Proceeds from the show were allocated to launch The Mercury Phoenix Trust – an AIDS charity organization. The concert put on a display of Queen’s diverse contribution to the music world and featured many of the eras finest musicians. It was a true celebration of Freddie Mercury’s life. The live performance was witnessed by 72,000 fans and the live feed was broadcast to 76 countries around the world and seen by an estimated one billion people. Staggering! One of the finest performances of the day was ‘Somebody to Love’ by George Michael; accompanied of course by the surviving members of Queen. Just beautiful.

Sadly, George Michael died way to young, at the age of only 53, in 2016.

The sad trend continues…

Unfortunately, as long as wonderful music is being made and beautiful memories are being created, we will lose artists who possess a magnetic charisma and a flair for making us feel good.

Through the years Taylor Hawkins was quite definite about his rock and roll heroes. Very close to the top of the list was Queen. Specifically, Roger Taylor, who combined his drumming ability with being an occasional vocalist. He also admired Freddie Mercury. Here, he speaks of the first concert he ever saw.

“God, I just wish he was still here. I would just love to like know him, I would love to go see him. I mean, the first concert in 1982, Queen and Billy Squier, the ‘Hot Space’ tour. He was technically amazingly perfect in so many ways. But he was a Rock and Roll singer. He really was.”

Taylor Hawkins

In 1982, Taylor Hawkins would have been 10 years old. In that moment he declared he was going to become a drummer and pursue a career in music.

He did just that.

Forty years later, at the relatively young age of 50, Taylor Hawkins died while on tour with the Foo Fighters. His death literally shattered the music world. Here is just one of literally thousands of messages from people he touched with his kindness and contagious enthusiasm for his craft.

My whole family and his whole family were very close. He was, my wife, called him, sunshine in human form. He was the most wonderful man. I can’t quite believe that I’m not going to see him again.”

Roger Taylor

Here is a cover of ‘Somebody to Love’ that became a showstopper for the Foo Fighters. Naturally, it featured Taylor Hawkins on vocals accompanied by his friend Dave Grohl on drums and the rest of the band. They were clearly a tight unit, as evidenced by the events that transpired following his death.

They literally brought the music community together. Much like the Freddie Mercury tribute thirty years previous.

Somehow it all comes around to the message contained in the lyrics so eloquently written by Freddie Mercury so many years ago. It’s about friendship. Everybody needs somebody to turn to when the day is cloudy. and the outlook is bleak.

Got no feel, I got no rhythm
I just keep losing my beat (you just keep losing and losing)
I’m OK, I’m alright (he’s alright, he’s alright)
I ain’t gonna face no defeat (yeah, yeah)
I just gotta get out of this prison cell
One day (someday) I’m gonna be free, Lord

Freddie Mercury

Freddie may have been at a low point, but through these words he understood that his friends would carry him to a better place.

For a glimpse into what Freddie Mercury’s friends meant to him read this account from Elton John:

https://www.boredpanda.com/elton-john-christmas-gift-fred…/https://www.boredpanda.com/elton-john-christmas-gift-fred…/

I suspect many of his closest friends have similar stories.

R.I.P. Freddie, George and Taylor…

You changed music forever.

Wild is the Wind – Let the wind blow through your heart. #MusicisLife #TedTocksCovers #JohnnyMathis #NinaSimone #ShirleyHorn #BarbraStreisand #GeorgeMichael #DavidBowie

Over the past 287 days readers of Ted Tocks might have recognized that I am a big fan of the lyrical side of songwriting. As noted, I am fascinated by the songwriting process but I am frequently drawn to what the artist is trying to say. I love the poetry. Today’s song is ‘Wild is the Wind’ that was brought to my attention by my friend Jeremy who is a connoisseur of good music. Not only is he a fan, he is a versatile performer who plays professionally as an original artist and a handful of impressive tribute acts. When he reached out to me to suggest ‘Wild is the Wind’ I was duly intrigued and based on what I discovered I wanted to share it in this feature. This will occur not only as a shout out to Jeremy but also as a salute to a song with a rich history that speaks to the artform that we know as songwriting.

Before we move on let these words take hold of you as you listen to the song. You can almost feel the song.

Love me, love me, love me, love me
Say you do
Let me fly away
With you
For my love is like
The wind
And wild is the wind
Wild is the wind
Give me more
Than one caress
Satisfy this
Hungriness
Let the wind
Blow through your heart
For wild is the wind
Wild is the wind
You
Touch me
I hear the sound
Of mandolins
You
Kiss me
With your kiss
My life begins
You’re spring to me
All things
To me
Don’t you know you’re
Life itself
Like a leaf clings
To the tree
Oh my darling,
Cling to me
For we’re like creatures
Of the wind
Wild is the wind
Wild is the wind
You
Touch me
I hear the sound
Of mandolins
You
Kiss me
With your kiss
My life begins
You’re spring to me
All things
To me
Don’t you know you’re
Life itself
Like a leaf clings
To the tree
Oh my darling,
Cling to me
For we’re like creatures
In the wind
And wild is the wind
Wild is the wind
Wild is the wind
Wild is the wind
Wild is the wind

Dimitri Tiomkin and Ned Washington

The original version of ‘Wild is the Wind’ was recorded by Johnny Mathis for the 1957 motion picture of the same name. The beauty of the song that was written by Dimitri Tiomkin and Ned Washington was immediately apparent to the audience and it garnered an Academy Award nomination. Mathis actually performed it during the 1958 Oscars.

From this impressive beginning ‘Wild is the Wind’ has been like a musical baton over a sixty year journey that has seen a series of some of the finest performers ever perform the song.

Versatile singer, songwriter, composer and civil rights activist Nina Simone loved ‘Wild is the Wind’ so much she recorded it twice. It was a staple of her live set for many years beginning with a live recording that appeared on Nina Simone at Town Hall in 1959 and then a studio version was released on an album appropriately called ‘Wild is the Wind’ in 1966.

American jazz singer and pianist Shirley Horn also recorded two versions of the song during her distinguished career. The first was on a studio album called ‘Embers and Ashes’ in 1960 and then in 1992 she recorded a live version with a full orchestra on her ‘Here’s to Life’ album. Here is that version blended with ‘Come a Little Closer’.

Barbra Streisand released an album of motion picture classics in 2003 called ‘The Movie Album’. ‘Wild is the Wind’ was featured among twelve of the widely adored singer’s absolute favourites and the recording is stunning as it also includes full orchestration along with Streisand’s distinct vocals.

Now we move into more contemporary territory for me. The versatile George Michael released a version of ‘Wild is the Wind’ on a 1999 tribute CD that saw the talented singer record ‘Songs from the Last Century’. This is a brilliant performance that provides a clear example of what an amazing voice this gentleman possessed through his distinguished career. Another artist gone way too soon.

Finally, we arrive at the incomparable David Bowie who released his version of ‘Wild is the Wind’ in 1976 on his ‘Station to Station’ album. It served as the B side to the ‘Golden Years’ release. Bowie was a long time admirer of Nina Simone’s vocals and her style. After meeting her in Los Angeles he vowed to honour her by recording one of her songs and what you hear is the result. This recording closes out the album in a powerful way and sent a message that he had many more years of artistic brilliance to come. Five years later he released the song again as a lead single for his ‘ChangestwoBowie’ compilation album. ‘Wild is the Wind’ is a beautiful Bowie recording that combines many of the elements that made him the masterful performer that he was celebrated for being when he too, unfortunately passed away too early at the age of only 69. Somehow, because of his style and elegance I could never reconcile that he could have been that old.